“
I put a lot of things into my work which are very personal to me. So how can the public feel these things? I think most people get to my work through the back door. They’re attracted by the realism and they sense the emotion and the abstraction — and eventually, I hope, they get their own powerful emotion.” -
Andrew WyethI read about the passing of
Andrew Wyeth in the New York Times this morning. In addition to the well written
obituary , there's an article about the continuing debate over the quality of his art,
For Wyeth Both Praise and Doubt. Both pieces are worth the read; just follow the links if you have the time.
Earlier today I thought I'd write a bit about growing up in Maine where it seemed there were Wyeth prints in almost every home by 1970s. How his art, so popular when I was a kid, was considered bourgeois by teachers & students during my 1 year of art school in the late 80s.
I grew up viewing his work in prints & books, as well as original paintings at the
Farnsworth &
Portland museums and other places. My mom also took us on trips to
Monhegan Island, where I learned more about the 3 generations of famous Wyeths. Monhegan is also the place where I first harbored the idea of Artist as Professional. I remember thinking how cool it would be to live away from the rest of the world & be left alone to simply create...
Hmm..I'm rambling....There was a lot I thought I wanted to say...but I can't quite put it together now that I'm here....
“
I think the great weakness in most of my work is subject matter. There’s too much of it.”
-Andrew Wyeth
What I took away from Wyeth's paintings over the years was the light, the ambiance. Also, the idea that art didn't have to be pretty. That it could have a quite power. And it wasn't until reading of his death today that I even realized the extent of his influence on my pencil pushing...
