Showing posts with label emulsion transfer. Show all posts
Showing posts with label emulsion transfer. Show all posts

3/27/09

The Butterfly Charmer & Faux Frescoes

Cleaning out some shelves & uncovered these wonderful teeny frames
Decided I needed to make a little something.

And I do mean little. The frames are 3"sq & almost 1.5" deep.
So made this tiny Butterfly Charmer

It feels good to create something...anything. Too many days without making stuff & I get cranky!
Hope to really dig my heels into something meaty soon.

Till then, I added 5 Polaroid Transfers to my etsy sale at ArtSnark.

These are emulsion transfers on marble tile.* Ready to hang
Fun to make The final look reminds me of old frescoes & ruined walls.Just click on any pic for details
* If you'd like to read more about the different steps for making emulsion vs. image Polaroid transfers click here. The photos I posted yesterday were image transfers. Friday's post featured an emulsion transfer

3/22/09

IF- Subtract

Polaroid Emulsion Transfer of original sketch

Digging into the archives again to satisfy Illustration Friday's prompt, Subtract. The email came with a wonderful quote by Leon Batista Alberti: Beauty: the adjustment of all parts proportionately so that one cannot add or subtract or change without impairing the harmony of the whole

Back in the early 90's I lived down the street from the Carnegie Museum of Art where I spent hours just wandering and absorbing all I could. Managed to squeeze a bit of sketching in too. The original drawing is a charcoal/pastel sketch of Antoine-Louis Bayre's bronze sculpture Tiger Attacking An Antelope

I love playing with Polaroid transfers, especially the emulsion transfers. Once the image has been heated & lifted from the substrate, it floats in the warm water bath like some kind of funky jellyfish. You can then stretch & fold it (carefully though as it easily tears) before removing & sticking to your choice of surface. In this case, I used canvas paper. While the emulsion was still wet I had fun tearing into the edges. I think the subtracted bits finish out the whole predator feel