Showing posts with label art history. Show all posts
Showing posts with label art history. Show all posts

5/25/09

Monday's Muse - History, Memory, Poetry

Years ago I managed a cavernous 25 yr old antiques shop. The owner was a retired Air Force Colonel with a passion for collecting. Everyone suspected the shop existed as an excuse for him to stay on the hunt. He would purchase entire estates simply to acquire "that special something." Needless to say, I spent a lot of time plowing through overstuffed dressers & unmarked boxes. The man had (literally) rooms full of items that he had forgotten about. In the "library" under a stack of mouldering magazines from the late 1800s, I found some WWII era photo albums. Most of the photos are only marked with time & place. Very few names. The Colonel didn't recognize them & figured they must be from some random estate sale. For $10 they were mine.


I've no idea who these people are. I believe the original owner is the balding fellow 2nd in from the right as he appears in many of the photos taken across Europe. The photo above is the 1st in the album.


These albums are bursting with pictures of monuments, ruins, cannons, scenery, military parades & picnics. Every few pages there is a similar shot - rows & rows of crosses. Only the date & location changes.



Each Memorial Day I find myself pulling these albums out & paging through. I wonder who these people are. What did they see & think & feel? Are any of them around today and what stories could they tell?

This year, these questions sent me googling. Click on the links below the photos (these were the titles on the original pics) to see what connections I've found. Please keep in mind that these links aren't necessarily associated with the photos, just my own word-association game. (For example, the Mme Pell link connects to a USA WWII propaganda film Salute To France)



Memorial Day for the War Dead
by Yehuda Amichai

Memorial day for the war dead. Add now
the grief of all your losses to their grief,
even of a woman that has left you. Mix
sorrow with sorrow, like time-saving history,
which stacks holiday and sacrifice and mourning
on one day for easy, convenient memory.

Oh, sweet world soaked, like bread,
in sweet milk for the terrible toothless God.
"Behind all this some great happiness is hiding."
No use to weep inside and to scream outside.
Behind all this perhaps some great happiness is hiding.

Memorial day. Bitter salt is dressed up
as a little girl with flowers.
The streets are cordoned off with ropes,
for the marching together of the living and the dead.
Children with a grief not their own march slowly,
like stepping over broken glass.

The flautist's mouth will stay like that for many days.
A dead soldier swims above little heads
with the swimming movements of the dead,
with the ancient error the dead have
about the place of the living water.

A flag loses contact with reality and flies off.
A shopwindow is decorated with
dresses of beautiful women, in blue and white.
And everything in three languages:
Hebrew, Arabic, and Death.

A great and royal animal is dying
all through the night under the jasmine
tree with a constant stare at the world.

A man whose son died in the war walks in the street
like a woman with a dead embryo in her womb.
"Behind all this some great happiness is hiding."

1/17/09

Andrew Wyeth, American Icon

I put a lot of things into my work which are very personal to me. So how can the public feel these things? I think most people get to my work through the back door. They’re attracted by the realism and they sense the emotion and the abstraction — and eventually, I hope, they get their own powerful emotion.” - Andrew Wyeth

I read about the passing of Andrew Wyeth in the New York Times this morning. In addition to the well written obituary , there's an article about the continuing debate over the quality of his art, For Wyeth Both Praise and Doubt. Both pieces are worth the read; just follow the links if you have the time.

Earlier today I thought I'd write a bit about growing up in Maine where it seemed there were Wyeth prints in almost every home by 1970s. How his art, so popular when I was a kid, was considered bourgeois by teachers & students during my 1 year of art school in the late 80s.

I grew up viewing his work in prints & books, as well as original paintings at the Farnsworth & Portland museums and other places. My mom also took us on trips to Monhegan Island, where I learned more about the 3 generations of famous Wyeths. Monhegan is also the place where I first harbored the idea of Artist as Professional. I remember thinking how cool it would be to live away from the rest of the world & be left alone to simply create...

Hmm..I'm rambling....There was a lot I thought I wanted to say...but I can't quite put it together now that I'm here....

I think the great weakness in most of my work is subject matter. There’s too much of it.”
-Andrew Wyeth

What I took away from Wyeth's paintings over the years was the light, the ambiance. Also, the idea that art didn't have to be pretty. That it could have a quite power. And it wasn't until reading of his death today that I even realized the extent of his influence on my pencil pushing...